Screenplay

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EXT. PARK. NIGHT.

JESS is running away from something, through a park.

INT. JESS’ ROOM. MORNING.

JESS awakes from the nightmare, sweaty and out of breath.

K&E Film Council Presents

INT. JESS’ ROOM. MORNING.

JESS sits on the side of her bed and shakes out two pills into her hands.

A Gunnersbury Film Production.

INT. MORNING. JESS’ ROOM.

JESS slips her feet into her slippers and walks to her bath room. Splashes water on her face.

TITLE.

EXT. OUTSIDE JESS’ HOUSE. DAY.

JESS walks out front door, looking around suspiciously, then runs out the front gate.

EXT. PARK. DAY.

JESS runs through the park, breathing heavily, listening to music. As she runs past another runner, the man seems to have a emotionless white mask on, she double takes, as if she's seen a ghost. 

INT. JESS’ ROOM. DAY.

JESS is reading magazines on her bed, whilst a white masked figure appears on her balcony. JESS does not see the figure, but her senses tells her to look round. However, before she sees the figure, he disappears into thin air.

INT. STATION. DAY.

JESS beeps her oyster card and walks towards the railway. Train goes past. JESS a boards the train. She double takes at the man sitting opposite her as once again, the man appears to be wearing a white mask, the mask then disappears as he turns the page of his newspaper. The man then gets up and leaves the carriage.

EXT. STATION. DAY.

JESS walks out of the station, takes a seat on the wall, takes out a business card of a psychologist.

                          JESS

                          (under her breath)

                          I guess I have no choice.

This is a good idea because it gives up opportunities to use various different camera angles and camera shots. Also we are able to shoot in different locations. As we are only using 3 characters it allows our filming to be more reliable and not as confusing for the audience. It also meets our sub genre: Psychological Thriller.